Italian, active 1394-1427  Related Paintings of Pietro, Nicolo di :. | Scenes from the Legend of Saint Augustine: | Scenes from the Legend of Saint Augustine: 00 | Die Rettung Moses aus dem Wasser | Scenes from the Legend of Saint Augustine: | Scenes from the Legend of Saint Augustine: 11 |
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Albin Egger Lienz
Albin Egger-Lienz (29 January 1868 - 4 November 1926) was an Austrian painter. He was born in Dölsach-Stribach near Lienz, in what was the county of Tyrol. As an artist, he had a special preference for rustic genre and historical paintings; under the influence of Ferdinand Hodler, Egger-Lienz abstracted his formal language into monumental expressiveness. He trained first under his father (a church painter), later he studied at the Academy in Munich where he was influenced by Franz Defregger and French painter Jean-François Millet. In 1899 he moved to Vienna. During 1911 and 1912 he was professor at the Weimar School of Fine Arts and he served as war painter during World War I. In 1918, he turned down a professorship at the Vienna Academy and settled in South Tyrol. Egger-Lienz died on 4 November 1926 in St. Justina-Rentsch, Bolzano, Italy.
Ilia Efimovich Repin
impression artist Russian, 1844?C1930
William Mctaggart
Scottish Painter, 1835-1910 was a Scottish landscape painter who was influenced by Impressionism. The son of a crofter, William McTaggart was born in the small village of Aros in Kintyre. He moved to Edinburgh at the age of 16 and studied at the Trustees' Academy under Robert Scott Lauder. He won several prizes as a student and exhibited his work in the Royal Scottish Academy, becoming a full member of the Academy in 1870. His early works were mainly figure paintings, often of children, but he later turned to land and seascape painting, inspired by his childhood love of the sea and the rugged, Atlantic-lashed west coast of his birth. The Storm, 1890, National Gallery of Scotland, Edinburgh.McTaggart was fascinated with nature and man??s relationship with it, and he strove to capture aspects such as the transient effects of light on water. He adopted the Impressionist practice of painting out of doors, and his use of colour and bold brushwork resemble qualities found in paintings by Constable and Turner, both artists whom he admired. McTaggart was skilled in the use of both oil and watercolour and, in addition to Kintyre seascapes, he also painted landscapes and seascapes in Midlothian and East Lothian. Many of his later works depict the Moorfoot Hills which could be seen from his house near Lasswade, which he moved to in 1889.